Your notation key: Cross X, Enter ENT, Exit EXIT, Sit SIT, Rise RISE, Kneel KNEEL, Turn TURN, Counter CTR

Stage managers do not all write blocking the same way, so set the tokens you use. Areas are always written as area codes (DL or DSL both work), and you start each line with the actor's initials.

Blocking key legend

Tape this inside the front cover of the prompt book so anyone reading your blocking can decode it.

WriteMeans
XCross: walk from one area to another
ENTEnter: come on stage, arriving in an area
EXITExit: leave the stage from an area
SITSit: sit down where you are, on a named piece if one is given
RISERise: stand up from sitting or kneeling
KNEELKneel: kneel where you are
TURNTurn: turn in place, toward a piece or a person
CTRCounter: a small balancing cross in answer to another actor's move
DL, DSLStage areas, from the actor's point of view facing the audience: UR, URC, UC, ULC, UL, R, RC, C, LC, L, DR, DRC, DC, DLC, DL
MHThe actor's initials start every line of blocking

Area grid

Blank 9 area ground plan

Audience at the bottom, so stage right is on the left of the plan.

  • Up right, UR
  • Up center, UC
  • Up left, UL
  • Right, R
  • Center, C
  • Left, L
  • Down right, DR
  • Down center, DC
  • Down left, DL

Cue sheet with your own cues

One line per cue: department, number, script page, the line or action it goes on, and what happens. Export it as CSV for a spreadsheet, or import one; a cue already on the sheet is not added twice.

No saved cue sheet yet.

Run sheet

The running order for a performance: what happens backstage, when, and who does it. Print it blank and fill it in.

TimePageWhat happensWhoNotes

Sample prompt book page

Cues on the left with their warning (W), standby (SB) and go, the script in the middle, and the blocking on the right in the starter key, numbered in the order it was given.

Trifles, Out of the cold

9 area plan. Cues shown: 4. Text: Project Gutenberg ebook 10623.

Cues, script lines and blocking for Out of the cold
CuesScriptBlocking
W LX 11 COUNTY ATTORNEY This feels good. Come up to the fire, ladies.1 SH ENT UC, X R2 CA ENT UC, X R3 HA ENT UC, X DC
SB LX 12 MRS PETERS I'm not... cold.4 MP ENT UC5 MH ENT UC
3 SHERIFF Now, Mr Hale, before we move things about, you explain to Mr Henderson just what you saw when you came here yesterday morning.6 SH X C
GO LX 1 (start)W SQ 14 COUNTY ATTORNEY By the way, has anything been moved? Are things just as you left them yesterday?7 CA TURN
SB SQ 15 SHERIFF It's just the same. When it dropped below zero last night I thought I'd better send Frank out this morning to make a fire for us.
GO SQ 1 (start)6 COUNTY ATTORNEY Somebody should have been left here yesterday.
7 COUNTY ATTORNEY Well, Mr Hale, tell just what happened when you came here yesterday morning.8 CA X DR
W LX 28 MR HALE Harry and I had started to town with a load of potatoes.
SB LX 2W SQ 29 MR HALE I didn't hear or see anything; I knocked at the door, and still it was all quiet inside.
GO LX 2 (end)SB SQ 210 MR HALE I opened the door... this door... and there in that rocker... sat Mrs Wright.9 HA X DL
11 COUNTY ATTORNEY What... was she doing?10 MH CTR UR
GO SQ 2 (start)12 MR HALE She was rockin' back and forth. She had her apron in her hand and was kind of... pleating it.11 MP TURN